I work primarily in oil and acrylic, then layer in enamels, gel mediums, pastes, graphite, water-colours and gouache—whatever the piece asks for. This mixed-media approach gives each original abstract painting its luminous depth.

Gently dust with a soft, dry brush. If grime persists:

1. Mix a few drops of pH-neutral, olive-oil soap in distilled water.
2. Patch-test a corner.
3. Lightly wipe, then blot with a damp cloth.
4. Air-dry—never heat dry.
5. Skip abrasives and harsh chemicals; they scar the painting / varnish.

Framed works arrive with D rings; large pieces hang best directly from those rings rather than wire. Unframed, rolled canvases ship sans hardware.

Yes, I partner with local master framers. The default is a slim black tray, but we can source almost any moulding on request —just note that framed or stretched canvases increase crate size and shipping cost.

Even with UV-resistant varnish, prolonged direct sun can nudge colours toward yellowing—choose a softly lit wall or add museum-grade UV glass.

Absolutely. Every original and every print ships with a signed, tamper-proof COA.

Standard runs tend to sit bellow 200 ; special releases drop to as few as five prints for collectors craving rarity.

Both—museum-quality limited-edition prints (hand-signed, numbered) and one-of-a-kind originals.

Cosmology, psychology, and the storms of human emotion form the spine of each piece.

Every canvas begins in controlled chaos: music on, first intuitive marks, then weeks of glazing and texture.